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The Big debate - The Big Myths

By the_big_debate on Nov 3, 09 10:02 PM in Creative industries

By Dave Harte

So the Big Debate on the future of the Creative Industries was fun wasn't it? A chance for us to get our heads together and proclaim to the world how great the West Midlands is at, well, erm, creative things. Well almost. It had the feel of a call to arms alright but some recurring themes emerged that need nipping in the bud. I say recurring because having been to such events in the past some myths get repeated which I reckon need debunking if we're ever going to be top dogs at, well, erm, creative stuff:


Myth 1: Less talking more doing.

Talking is the new doing, hadn't you heard?. Okay, not quite, but talking IS doing. Discussing, debating, thinking out loud, re-thinking out loud, researching, provoking - that's the kind of talking any sector should be doing, at conferences, in bars, on twitter. Some people (I think I'm one) are professional non-doers and proud. We need more, not less of these people. Value them. They're in your corner, fighting your cause, bragging about your work.

Myth 2: We don't shout loudly enough about what we do well.
Every time someone says this, check whether they work in marketing. They're probably after a commission to do the shouting for a decent-sized fee. Good work shouts, it always will. We're crafting amazing work here, it will show if it's good enough. If we're not getting national/international attention then our work isn't good enough. Simple.


Myth 3: It's only the usual suspects at these kind of events.

If you think that then you're not half as good as networking as you think you are. Try speaking to more people who aren't on twitter. This particular event was full of plenty of people new to me. People new to the debate, people worth taking time to talk to in the coffee break.


Myth 4: We shouldn't compete with other regions/cities.

The hell we shouldn't. Place is crucial in all this. You think we're not crying into our consultants' reports that Salford are getting a big chunk of the BBC and we get Doctors? We're really not in this for UK plc. We're here to shore up the West Midlands' rather frightening £15bn productivity gap and the high-value bits of the creative industries can help do that. If that means stealing companies away from elsewhere let's do it.

Myth 5: All this sniping is bad for Birmingham
No it isn't. You think creative cultures emerge from everybody being nice to each other? Everything on the scale from bad-mouthing to name-calling to a good punch-up is fine with me. It shows a sector alive with passion; creatives who care enough to challenge authority and their peers. We really don't all have to sing from the same hymn sheet.

Myth 6: We keep saying digital when we mean creative.
The 'Creative Industries' is a term that Labour invented circa 1998 to pull together miscellaneous bits of craft, manufacturing and creative content sub-sectors so Tony Blair could point at them and hope some glimmer of cool reflected back on him. The Creative Industries are whatever bit of them you feel comfortable in, digital, antiques, design, whatever. If you focus on definitions you're just focusing on the construct that government created for counting purposes. Your bit of this sector is defined by the people you know doing similar stuff. If you're the only one doing it at the moment then welcome to the party, the others will be along shortly.

Obviously, this list could be longer. But once you get past the re-telling of the myths there were a couple of really interesting points that I hadn't heard so clearly stated before. One a warning for future debates. The other a glimpse of what our regional strength could be.

The Warning: We confuse cultural needs with industrial needs.
Said the man who was proud to have had a hand in imprisoning some file-sharers. But he had a point, a good point. Clarity over the nature of the discussion is important. The debate nationally confuses these two issues so we're not alone.

The regional USP: Our Creative Industries can save the world.
In the rounding-up Leadbetter said that we should look into the city. Use it as a template to see how new creative ideas can solve 'problems'. In the queue for registration at the beginning of the day someone said to me that it's strange that the creative/cultural sector hasn't made its presence felt on the sustainability agenda and was in danger of being ignored as a result.

Social cohesion and environmental sustainability. Imagine being the best there is at tackling the two things at the top of the world's agenda. Now that would be fun wouldn't it.

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5 Comments

Jon Bounds said:

Think 1 go with 1-5, but maybe with the caveat that pressure shouldn't be put on individual orgs to compete "on behalf of the region" — regions should compete to be the place that best fosters creativity and then compete for the investment that would in an ideal World follow it.
I wasn't at the debate, but the backchannels (which were almost ostentatiously pushing themselves to the front) were awash with the conflict you describe, of course I only heard from people at my end of whatever industry I might notionally be a part of.
Digital reproduction and distribution is the largest single issue facing most parts of "the creative" industries — and from a business level I can see the point in continually hammering that home, the grumbling I'm assuming comes from the digital people who attend these events expecting to learn something new about that. That's not quite where stuff it pitched, and it's expectation that is the issue — maybe (and I'm horrified at the thought) there's a chance to see it more of an opportunity to network with the parts that need their (paid) help - and the thinkers (especially those that think about money).

The "creative industries" is an oddly defined thing (although defined it is) — but if it's a meaningless term for individual people then maybe these events and discussions are at the wrong scale?

Chris Unitt said:

I've never been convinced by the idea in number 2 - it sounds too much like 'if you build it they will come'.

I can think of plenty of examples of well-promoted dross getting more attention than better, under-promoted alternatives.

Marketing and advertising get sneered at but I think there's definitely a role to be played there, especially if the idea is to reach people not already within the creative 'bubble'.

Jo Ind said:

Fantastic post.

And all these myths are to do with human psychology rather than the West Midlands creative industries. You'll find the perception of cliques, sniping, some being bored while others are fascinated etc whenever anybody is doing anything. It's not peculiar to us and our situation.3

Dave Evans said:

I have to agree with Chris re point 2. In a Drum magazine poll asking what city in the UK outside London was the most creative, Birmingham came in 7th out of 11. There's some great work going on, but we're too self-deprecating as a region and not great at telling the rest of the country about what we're doing. Great post tho' Dave...

John Kirk said:

Great list Dave. Agree with all you say here - sorry for not creatively sniping ! Your last point is particularly interesting - on the GRREEN agenda and the silence of a lot of creatives on this area. Research done for the last Big Debate showed that concern about these issues is much stronger amongst the over 40s. Those with children and worried about their future. Many "creatives" are under 40, they tend to work on their own or in small groups. A lot of what they produce is for entertainment and maybe they don't want to think about serious uses of new media. The print media still cranks out loads of waste paper which uses loads of C02 to move. TV tells us we need HDTV so we buy new large and energy inefficient TVs. We must have the latest laptop,phone, camera. I am not immune from all of these. Perhaps creativity needs to be applied more to the issues really affecting people now and in the future - beyond entertainment and promotion. There has been an over emphasis on the commercial uses of new media, perhaps because the public and voluntary sectors are lagging behind in their understanding of the potential?

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