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Urban Playground

By Fiona Ferguson on May 4, 08 11:04 AM in Culture

I have to admit to a pang of disappointment as I walked past the floozy in the jacuzzi last night and it wasn't covered in scaffolding, bridges and burnt out cars. Or indeed crazy rubber-limbed dancers backflipping around the fountain.

For those of you that did not Watch This Space at the weekend, the space was Victoria Square as you've never seen it before and we were watching Hofesh Schechter company and 2FaCeD DaNcE fling themselves around a temporary construction of scaffolding bridges, stages, towers and cars. Gadzooks. A little more extraordinary than your usual Saturday in town - as amazed crowds gathered round to witness mind-bending gymnastic feats from dancers performing break dance, hip hop, contemporary dance and parkour in front of them, behind them, below them and above their heads. It was, really, a dance festival all in itself.

Hofresh2.jpg

For 2 days only (sniff...) the centre of town was turned into an urban jungle as the Schechter/2 FaCeD dancer-monkeys swung, slid and somersaulted around the temporary framework - and making it somehow look so easy; as if they were all born swinging from scaffolding.

Sooo much fun.

One thing that's really hit me during the IDFB is that there's a massive sense of play in dance. It's about going into a space and thinking 'Right, how can I play with this?' And for dancers and audience alike, in this incidence, Victoria Square became a spectacular playground. For me, this is so what it's all about. Dance that isn't confined to your 20 x 20 stage, but bursts out from the theatres with that native, invincible energy into the streets, into the normal, mundane places of life, transforming each little grey urban contour into a possibility for a bit of a twirl.

If this is what public art is, then I'm sold. So much better than some half-arsed statue that no-one really notices (apart from the pigeons and their s**t).

Of course the only problem with truly public art is that there are no neatly arranged sight-lines and I did spend quite a large percentage of the time staring at the back of people's heads; which weren't nearly so entertaining. I did, at one point, ask a nice kind-looking dad who had a toddler perched on his shoulders if he had room for another one, but he just laughed nervously and backed away, before I started to clamber up his trouser-leg. Well hey, all the world's a climbing frame isn't it? ...

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3 Comments

cookiedough2k8 said:

Watch This Space was easily one of the most engaging things I have been exposed to since moving to Birmingham two years ago. I feel rather superficial when I think about the reasons why but it's mainly because it was SUCH an awesome spectacle and just so damn cool! Get me to the PUMA store!

The transformation of Victoria Square is to be much applauded. They really succeeded in transforming what is a day-to-day ‘non-space’ generally used as a commuter thoroughfare into an urban arena playing host to one of the most exhilarating displays of ‘contemporary’ dance ever seen in the city.

To see what must have been over 2000 people completely mesmerised in a public space was truly incredible. The best thing about it was that the crowd wasn't just your typical ballet student or your dance aficionado but everyone and anyone, loads of whom would probably never dream of setting foot into a venue to see this. This is what art needs to be about. Bringing it to the people to give them something they will remember forever.

More of this Birmingham please!

indeedy said:

Really enjoyed the atmosphere this piece created in Birmingham. Great to see such a diverse audience in attendance also. I didnt quite get the cars appearing in the last few minutes of the piece though i thought there was going to be a little more interaction with them???

Fiona said:

I think the cars were just part of the general playground. Is it not fun to hang a string of fireworks to the bottom of a Jeep and then haul it into the air?

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